As his sign is the transmutation of the metaphysical to the tangible, Sneakhotep uses universal dualisms as core for his visual schemes leading to a general diagram of his mental calculations, taking over public spaces as he defines himself as a street scribe, where he exchanges knowledge and traditions with the locals and transmits it to the viewer.
He enriches the core of his work with esoteric journeys and observations on the contemporary social, cultural and ideological phenomenas, spreading the whole out on various mediums with a balance between piercingly straight free handed strokes and lavish curves.

Bent over lost writing systems in ancient civilisations, time and its effects on the matter and the being is the sustentaculum for his inspiration; spirituality, science and mysteries of creation its pillars. All is subject of his observation and empathy, then leads to cryptically elaborated manifests, a pictural extreme conflict of opposites,
mnemonic of the occult world, unreadable for the reader, believable for the believer.

The anatomy of his visual language is an amalgam of collected shards throughout his researches. Arabic calligraphy, old latin scripts, egyptian demotic and hieratic remains compose the corps of his letters, the whole casted in characteristic traits of the pharaonic weapon, baptised his style the Khopesh Script.

« You see it then you believe it, then you must believe it to see it » Sneakhotep